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Suspended-3rd-Chord

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Suspended-3rd-Chord

Age/Gender: 19, Male
Location: Arizona

Cherish the moment. For in a moment, it will be gone.

Newgrounds Stats

Sign-Up Date:
5/3/07

Level: 11
Aura: Neutral

Rank: Town Watch
Blams: 15
Saves: 151
Rank #: 37,237

Whistle Status: Normal

Exp. Points: 1,240 / 1,350
Exp. Rank #: 22,779
Voting Pow.: 5.32 votes

BBS Posts: 374 (0.79 per day)
Flash Reviews: 15
Music Reviews: 447
Trophies: 0
Stickers: 0

Latest Flash Reviews

15 Reviews | 5 w/ Responses

Score: 10
Mark Dodman

"what the fuck is wrong with you people?"

submission: Mark Dodman
date: August 15, 2008

You faggots obviously have no sense of artistic value.

Fuck me in the ass this is another hidden gem i watched five times in a row okay not really but its going into my favorites.

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Score: 10
MOLDRED

"AHOY"

submission: MOLDRED
date: August 15, 2008

Just a timeless classic. Everything I would want in a flash.

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Score: 10
I love you.

"I love you too"

submission: I love you.
date: April 3, 2008

You don't understand how much I love this

April 3, 2008

Author's Response:

From this review, I take it that you liked it alot.

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Latest Audio Reviews

447 Reviews | 319 w/ Responses

Score: 10
Newgrounds Rules

"hahahahaha"

submission: Newgrounds Rules
date: August 19, 2008

this sums up newgrounds in a nutshell I guess lol

I love you for posting this

(guys he's MUCH better than this. )

August 20, 2008

Author's Response:

did you see the other submission?

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Score: 8
Nightscape (WIP3)

",,,#"

submission: Nightscape (WIP3)
date: August 19, 2008

lol, I read the kind review you left KaiserSzandor. Try to give some advice in addition to bashing/flaunting your superior knowledge to the average newgrounder that you take everyone as. Maybe then you would actually EARN your high horse that your prize yourself riding on so often, for now you're still just an elitiist, pedantic, condescending fuck ;)

as for the track itself, very damn interesting. Some awesome ideas in here- jazz and DnB has got to be one of the most unique blend of styles IMO.

Really like the drum beat going on, still has a DnB drum beat feel while adding the odd time signature complexity, while not feeling too awkward. Like what you did with the ride-crash cymbal throughout, how the rhythm is similar to the ghost notes you would hear in an amen break, and how those hi hat/snare sounding hybrid thingies rhythm were sequenced, not being just boring straight eights. some of the buildup sounds were pretty intresting to hear as well.

Chord Progression rocks, really enjoyed the synth texture you placed on. Nice ambient feel. The filter fade in was really sweet too.

The slowed down beat and stronger pads was real nice in the end.

Suggestions:

-Your hi hats sound like a choppy snare sample, wtf?

-The thing that definetly sounds like a snare- sounds a bit weak, maybe layer it with a snare with a good decay and add a minor amount of reverb

-Oh goodness, I didn't like the saxaphone one bit. Both the melody (personal taste? or my I haven't aquired these advanced tastes yet) and the overall sound. I thought the small, lengthy pitch bends (natural element of the soundfont) that used seldomly were overly long, making the melopdy feel real awkward in the background. I know or think of jazz resolves around a lot of dissonance, but given the calm, smooth atmosphere (of the two chords that your presented first) I would like if you toned down the dissonance a bit. Way too many clangers in here for my personal taste (the latter half wasnt too bad). The note at 5:09ish killed it for me, as the previous notes sounded like you were going to roll into smooth, and then broke it. As for the sound, I just hate the timbres of alto saxophones. some of the high register notes were on the verge of ear piercing. Maybe it would be an interesting contrast to include some tenor saxaphone, after all it is a 7+ minute song.

-Work some ambience throughout the piece in a subtle manner, just some random sound FX and small intricate snippets that may help with the repetion and make the general progression more interesting

-Not a big deal since its DnB, but maybe work a distinguishable melodic theme somewhere during the section with the pads, as this mostly sounds like you were jamming in an improv session and just looped a few spliced breakbeat patterns throughout and two chords for the drop section.

-speaking of which- the bassline. I dont care, but since you pride yourself on avoiding simplicity, maybe spice up your bassline more both in a rhytmic and melodic sense, considering it was the same two sustained notes throughout.

Good song and sorry for being late to review, but here's my two cents. Definetly some awesome ideas and very easy to roll with. Though your knowledge is probably far superior than mine, and probably most everyone here.

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Score: 9
+The Lycanthrope+

"intense as feck"

submission: +The Lycanthrope+
date: August 13, 2008

wow, this is real game right here. Intense stuff right here. I can hear some sonic the hedgehog influences in the melody.

the 5/4 beat makes it sound really damn interesting (its that extra snare hit) i started writing something in 6/4 last night, but that doesnt count as odd right?

Synths made in sytrus? That detuned saw at the beginning was sick, real nice evil gritty sound. Love the ambient sound, some great FX and background elements that really makes the flow of the song a pleasure to listen to, plus a great thing to add into DnB. melodies and riffs were intense man great job.

I really dig the breakdown at 1:04, mmm, that melody is real nice, excellent preface to an intense bit, the beat was damn tight. in this section I would maybe add some strings that crescendo to really add to the intensity.

Glitch retriggering FX were damn nice, great "climax" part. well executed, rhythm slowly gets faster and rolls along faster.

Great job with automating the drums in the end dude, the last beat was real nice the cutoff boots and cuts flow nicely.

mmm also loops well.

Few things:

Maybe to make the breaks more concise and powerful, layer the kick and snare with a sample and compress them. (I can hear them fine, but its something to consider)

clarity was a bit of a problem- the saw and the synth that carries the melody have this fuzz going throughout the entire track, it personally gets a bit annoying when used so much. I honestly dont know how to fix this, maybe experiment with a low pass filter to remove some of the fuzzing in parts. (modulating the bass filters would make for some sweeeet swells and whatnot too) maybe a more precise shape might help the case which can be remedied by turning down the "skew" and "sine shaper" controls.

the second half might be able to use a sharp, clear lead synth that plays long sustained notes.

all in all, awesome track WB!

August 13, 2008

Author's Response:

Hey S3C thanks for the killer review. Yeah the saw was a sytrus.

The mix, the drums, two things I'm working hard to overcome. I've started remaking one of my pieces from a little while ago (Carbon Baby pt 1), and everything's coming together brilliantly and it's sounding amazing.
I've noticed the little extra effort going into effects and atmosphere can make a world of difference to a track, I just need to keep making music, and keep practicing and brushing up on those things.
Again, thanks for putting all this time and effort into this review, I appreciate it a lot.

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